What we do.
Interview with Contemporary Dancer Marie | Raised by the beat
Raised by the beat is a platform with tools for the urban dance professionals. It's a how to become a streetdancer or better a hip hop dance professional guide.
dance teacher training, street dance teacher training, street dance teacher, how to create a dance business, how to teach hip hop dance, how to become a street dance teacher, how to teach street dance, how to become a hip hop dance teacher, hip hop dance classes, dance teacher, hip hop dance teacher training, streetdance teacher training, street dance teacher training, hip hop dance teacher training, streetdance teacher training, dance studios, dance school, dance lessons, dance schools, learn to dance, street dance, hip hop dance, hip hop dance moves, dance hip hop, hiphop dance, hip hop dance videos, hip hop dancing, hip hop moves, dance teacher, dance center, hip hop workout, hip hop dancers, street dancing, street dancers, dancing lessons, hip hop dances, how to become a dancer, what is hip hop dance, professional dancers, famous hip hop dancers, dance videos hip hop, professional dancer, video dance hip hop, hip hop dance videos free download, what is street dance, how to be a dancer, best hip hop dance videos, how to become a dance teacher, how to become a professional dancer, dancing teacher, dance instruction, street dance video, how to teach hip hop dance, how to teach street dance,
17402
post-template-default,single,single-post,postid-17402,single-format-standard,qode-listing-1.0.1,qode-social-login-1.0,qode-news-1.0,qode-quick-links-1.0,qode-restaurant-1.0,woocommerce-no-js,ajax_fade,page_not_loaded,,qode-title-hidden,side_menu_slide_from_right,columns-4,qode-theme-ver-13.8,qode-theme-bridge,wpb-js-composer js-comp-ver-5.4.7,vc_responsive

Interview with Contemporary Dancer Marie

What is the biggest advise you have ever given to someone?

Don’t fake it [dance], make it real!

 

What was the biggest hurdle you’ve encountered and how did you overcome it?

I do not fit into the physical aesthetic of classical Ballet because my hips are very little. As a contemporary dancer, you do need Ballet technique – it is a daily class in universities and I still train ballet to keep my technical level. Since I started dancing, every teacher kept saying that I wouldn’t be able to become a professional dancer because of my turn out. How did I overcome it? Honestly, I didn’t. My body is built in a certain way and I had to accept that I cannot change it. However, I wanted it so bad that I kept going with my own way. I studied dance at a great university, and even more importantly, I made my living as a dancer. But still, in my head, my little turnout is a huge thing. But over the years, I’ve learned that most contemporary choreographers don’t care about my turnout. I know that I have many other qualities which are more important in my profession.[/vc_column_text]

[/vc_column][/vc_row]

Do you have any rituals during the morning, or before a show? If yes, what are they?

Every morning, I enjoy my fruit salad. No matter where, or how early, I will take my time to cut my seasonal fruit and take at least half an hour to eat. It makes me happy.

 

What is the most difficult thing to master or that needs the most work? (This could be anything from dance skills to people skills or business.)

Being a freelancer makes it difficult to allow yourself to have a break. Even if you are not in rehearsal, on stage, in front of a camera, or in a meeting, there is always something to do. Even if there is nothing on your list, you continuously feel like you should be doing something such as taking a class, going to the gym, applying for auditions, etc. It is very difficult to actually allow yourself to be idle to give your body and mind a break.

by Flo Flash

Marie

Even at a pro level, what did you waste the most time with?

The wasting of time, for me, was going to auditions. I had to learn to become extremely selective on which auditions that I applied to attend. This meant spending more time researching beforehand about the production. In the end, one will save money, time, and, most importantly, self-esteem, if you do not go to every single audition. One should look for productions that one is really interested in, and also where one could fit in as a dancer.

 

How important is networking and promotions for you? How do you manage to do one or both?

Networking is huge! Most of the jobs that I have done are the result of a person coming and seeing me on stage somewhere or when a person recommends me for a project. I am not a big fan of self-promotion, simply because it makes me feel uncomfortable talking about myself. I still naively believe that quality and professionalism, in my dance career, will make ends meet. However, I’ve started using Instagram and I finally have a website.

Contemporary dancer Marie Zechiel

Facebook Comments



%d bloggers like this: